The only novel by Orson Welles, a witty, madcap, pulp-noir adventure of international intrigue, blackmail, and murder

The mysterious Mr. Arkadin claims he cannot remember anything of his life prior to the moment in 1927 when he found himself alone in Zurich with two hundred thousand Swiss francs in his pocket, a sum with which he subsequently built a vast fortune. Now a fabulously wealthy and influential financier, he enlists the services of one Van Stratten, a small-time smuggler and racketeer, charging him with the task of investigating Arkadin's forgotten past. Traveling across the world--and through the seedy underworld of postwar Europe--Van Stratten begins piecing together information for his confidential report. But for some unknown and sinisterly suspicious reason, everyone he speaks to soon turns up dead.

The work of an acknowledged genius of the stage and cinema, Mr. Arkadin: Aka Confidential Report is the basis for the controversial motion picture written, directed by, and starring Welles himself--the movie the great auteur bemoaned as "the most butchered film of my career." Welles's hauntingly strange and exhilarating novel remains an enigmatic expression of his intentions and an enduring example of his storytelling brilliance.

Orson Welles directed and starred in this version of Shakespeare's famous tragedy. Filmed on a shoestring budget over two years, Welles strips the famous tale of sexual jealousy and betrayal down to its essentials, casting himself as the tragic Moor. Winner of the 1952 Best Picture Award at Cannes.

Boxset of seven films featuring the characters created by Jim Henson. 'Muppets Most Wanted' (2014) is a musical comedy sequel starring Tina Fey, Ricky Gervais and Ty Burrell. While on a European tour Kermit the Frog (voiced by Steve Whitmire) is mistaken for a Russian jewel thief called Constantine (voiced by Matt Vogel), to whom he bears a striking resemblance, and is thrown in jail by prison officer Nadya (Fey). Seeing an opportunity for a new life Constantine poses as Kermit and joins the rest of the Muppets on their tour. 'The Muppets' (2011) stars Jason Segel as the human brother of Muppet Walter (voiced by Peter Linz) who Walter approaches for help in raising ten million dollars to save the vaudeville house where the Muppets used to perform. Amy Adams also stars. In 'The Muppets Movie' (1979) Kermit (voiced by Jim Henson) leaves behind his swamp and heads for the big lights of Hollywood to fulfil his dream of becoming a star. Along the way he becomes involved with the dazzling Miss Piggy (voiced by Franz Oz), the charming Fozzie Bear (also voiced by Franz Oz) and Gonzo the Great (voiced by Dave Goelz), encountering such celebrities as Orson Welles, Steve Martin and Bob Hope. In 'The Great Muppet Caper' (1981) the Muppets travel to London to investigate the disappearance of Lady Holiday's jewels, Miss Piggy (voiced by Frank Oz) is framed for the theft. 'The Muppet Christmas Carol' (1992) is the Muppet's version of Charles Dickens' immortal festive tale about a bitter old man who is shown the error of his ways. 'Muppet Treasure Island' (1996) sees the Muppets go on an adventure on the high seas in their version of the famous pirate adventure. Tim Curry stars as Long John Silver alongside Gonzo (voiced by Dave Goelz), Kermit (voiced by Steve Whitmire) and Miss Piggy (voiced by Frank Oz). 'The Muppet's Wizard of Oz' (2005) is a contemporary version of the classic movie based on the novel by L. Frank Baum. Dorothy Gale (Ashanti) is a teenager with dreams of showbiz that seem far from coming true in the Kansas trailer park where she lives. When she's transported to the magical land of Oz, she and her sidekick, Toto (voiced by Bill Barretta), join forces with the Scarecrow (Kermit the Frog - voiced by Steve Whitmire), the Tin Thing (Gonzo - voiced by Dave Goelz) and the Lion (Fozzie Bear - voiced by Erik Jacobson) to fight the Wicked Witch of the West (Miss Piggy - voiced by Erik Jacobson) and find the wizard who can make her a star.

Orson Welles stars in this 1950s crime drama based on the novel by Meyer Levin, which in turn is based on a real legal case that took place in 1920s Chicago. Two wealthy law students, Judd Steiner (Dean Stockwell) and Arthur Strauss (Bradford Dillman), decide that they can get away with committing the perfect murder. They kidnap and kill the teenage son of a millionaire, but a pair of spectacles left at the crime scene leads to them being identified as the murderers. Their families hire America's top lawyer Jonathan Wilk (Welles) - a known opponent of the death penalty - to defend them in their trial, and Wilk goes on to make American legal history by successfully arguing in favour of a life sentence rather than the pair's execution.

Orson Welles was so keen to make this film that he had to agree to shoot it in 23 days using only existing western movie sets. Macbeth ( Welles), Thane of Cawdor, is told by three witches that he will gain the kingdom. His wife, Lady Macbeth (Jeanette Nolan), urges him to hasten the prophecy with the aid of a knife. The original film was cut from over 110 minutes down to 89 but was restored for release onto video; it also had to be re-dubbed as Welles originally had the actors speaking with broad Scottish accents.

Jeff Chandler and Orson Welles star in this 1950s Western from director Jack Arnold. Wealthy tyrant Virgil Renchler (Welles) rules over cow town Spurline from his Golden Empire ranch. When his henchmen kill a young worker, Sheriff Ben Sadler (Chandler) investigates but meets resistance not only from those responsible but also from the local people who are afraid their town will suffer without Renchler's business.

Genre: Melodrama Characters: 12m, 2f An ingenious idea is employed to accommodate the sweep of this classic story on the stage. A Shakespearean company puts down their rehearsal sides of Lear and curiously take up those of a new play entitled Moby Dick. On the rehearsal stage of platforms, the teasers overhead suddenly become yardarms with sails and a tall ladder becomes a mast. The platforms become the decks of the ship on which the cast sails through the storms and tribulations of the Pequod hunting for Moby Dick. "Admirably bold and imaginative." - The New York Post "An adventure in theatre going. As I left the first performance I felt myself rather oddly shaky and breathless...There is nothing else anywhere near like Moby Dick in the theatre." - The New York Daily News

Orson Welles writes, directs and stars in this silent comedy adaptation, his first professional feature. After discovering his wife Clairette (Arlene Francis) has been unfaithful to him Leon Dathis (Edgar Barrier) flees aboard a ship to Cuba in pursuit of her lover Augustus Billings (Joseph Cotten). But when both parties arrive at their destination, Billings, in order to hide from his own wife (Ruth Ford) and mother-in-law (Mary Wickes), adopts the identity of a plantation owner named Johnson.

The complete screenplay of one of the world's most famous and controversial films "A definitive chronicle of the making of the film" Sheridan Morley, Films & Filming This is the complete companion to Citizen Kane - the film that was "designed to shock" (Kenneth Tynan) - one of the best-loved and best-known movies in the history of Hollywood and still the most staggering film debut ever. Not only was this Orson Welles's first film as actor and director but most of the cast were also new to the cinema. Yet so controversial was the subject matter that an $842,000 bribe and the concentrated wrath of the Hearst newspaper empire combined in an attempt to strangle its distribution. And the authorship of the film is still a subject of conflict. Pauline Kael's long essay, "Raising Kane", dissects a maze of Hollywood lore to re-evaluate these and many other fascinating stories about the making of this remarkable film. Her account is followed by the original screenplay, illustrated with stills and frame enlargements. "Citizen Kane revolutionised film-making, and the question of its authorship is as important to the cinema as that of Hamlet to the theatre ...Pauline Kael explains how the picture came to be made and concludes that the man most responsible for its creation was not Welles but Herman J. Mankiewicz" Kenneth Tynan, Observer

Innovative film and theatre director, radio producer, actor, writer, painter, narrator, and magician, Orson Welles (1915-1985) was the last true Renaissance man of the twentieth century. From such great radio works as "War of the Worlds" to his cinematic masterpieces Citizen Kane, The Magnificent Ambersons, Othello, Macbeth, Touch of Evil, and Chimes at Midnight , Welles was a master storyteller, as expansive as he was enigmatic. This Is Orson Welles , a collection of penetrating and witty conversations between Welles and Peter Bogdanovich, includes insights into Welles's radio, theatre, film, and television work Hollywood producers, directors, and stars and almost everything else, from acting to magic, literature to comic strips, bullfighters to gangsters. Now including Welles's revealing memo to Universal about his artistic intentions for Touch of Evil, (of which the "director's edition" was released in Fall 1998) this book, which Welles ultimately considered his autobiography, is a masterpiece as unique and engaging as the best of his works.

Before The Cradle Will Rock, before War of the Worlds, before Citizen Kane—there was Marching Song. At the age of 25 Orson Welles co-wrote, directed, and starred in Citizen Kane, widely regarded as one of the greatest films of all time. But this was not the first achievement in the young artist’s career. A few years earlier he terrorized America with his radio broadcast of War of the Worlds. And even before he conquered the airwaves, Welles had made a name for himself in New York theatre, with his dynamic stagings of Shakespeare classics and the politically charged musical The Cradle Will Rock. But before all of these there was Marching Song—a play about abolitionist John Brown—that Welles had co-written at the age of 17. While attending the Todd School for Boys, Welles collaborated with Roger Hill, the schoolmaster at Todd, to produce this full-length drama. Marching Song: A Play is a work by one of America’s true geniuses at an early stage of his creative growth. Steeped in historical detail, the play chronicles Brown’s fight against slavery, his raid on Harper’s Ferry, his capture, his conviction for treason, and his execution. In addition to the entire text of the play, this volume features a biographical sketch of Welles and Hill—written by Hill’s grandson—during their days together at Todd. A fascinating dramatization of a pivotal event in American history, this play also demonstrates Welles’ burgeoning development as social commentator and an advocate for human rights, particularly on behalf of African Americans. Featuring a foreword by noted Welles biographer, Simon Callow, Marching Song: A Play is an important work by an American icon.

Orson Welles writes, directs and stars in this French adaptation. In 19th-century Macau, the rich and ageing merchant Charles Clay (Welles) decides to use his power to make an old seafaring legend come true: that of the wealthy old man who hires a young sailor to make his beautiful wife pregnant. To this end, Clay gets his assistant Levinsky (Roger Coggio) to hire his former business partner's daughter Virginie (Jeanne Moreau) to portray his wife and sends him to find a suitably destitute sailor to complete the tale.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the "The Paper Chase." After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered their own weekly hour-long radio program over the CBS radio network. Here Welles along with Agnes Moorehead, Ray Collins, Joseph Cotten, Alice Frost, Martin Gabel, and others presented powerful adaptations of literary classics with Bernard Herrman as composer and conductor.

Considered by many critics as the finest dramatic hour on radio, "The Mercury Theatre on the Air" was without a sponsor until a single broadcast changed all that: "The War of the Worlds.""